"wauw jij" (english: " wow ya-eee")
purpose | where | what | M/S* | action | why |
make "wow" | VCO3 | switch | S | AUDIO | to have sound |
v.slider | S | open VCO3 to VCF | it needs lots of harmonics, which calls for the saw. also VCO3-saw goes standard to the VCF, which saves a patch cable |
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h.slider | S | VCO3 to 80Hz Freq | the best results are in the bass region | ||
VCF | h.slider | S | close VCF freq | because the filter will be controlled by the ADSR | |
h.slider | S | Q to 60% | resonance will make the consonants really spike out, take care not to drive it into self-osc |
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ADSR | v.sliders | M | slow ADSR | - set slow A-D speed, this will make the "W" - set medium S, to keep the "O" - set slow R, for another "W" |
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VCF | v.slider | M | ADSR to VCF | modulate the filter with the ADSR | |
VCA | v.slider | S | VCF to VCA | put the VCF through the VCA | |
h.slider | S | INITIAL GAIN 50% | to get sound. | ||
MIXER | v.slider | S | VCA to MIXER | send the sound from the VCA to the mixer "wow" will sound at nearly every octave |
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add "jij" | VCO2 | switch | S | AUDIO | the VCA will be modulated with audio frequencies |
h.slider | S | VCO2 to 3KHz Freq | the modulation will be quite fast | ||
h.slider | M | PULSE WIDTH 50% | make a square wave | ||
VCA | patch | M | VCO2 PULSE to VCA AR |
now the VCA will be modulated with the square of VCO2. | |
v.slider | M | AR to 50% | the effect will be heard already at 50% modulation this creates "ij" consonants in the lower regions of the keyboard the "wow" will still sound, one octave above "jij" the only drawback is the high modulation pitch from the VCO2 |
* M=modulator, S=sound