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| HOLD, | WHITE STETSON, | ON, | 100 PURGING POPSONGS: | 1-10, | 11-20, | 21-30, | 31-40, | 41-50, |
100 PURGING POPSONGS (21-30)
All songs are composed using PhoenixStudio on a Pocket PC PDA.
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Composition characteristics:
| 21 | platform camper | 1:37 (120 bpm) |
| based on: | changing the drum samples to atari pac man sounds | |
| surprise factor: | - nearly pizzicato strings (by just adding the slightest amount of distortion and reverb), - digital noise sweep |
|
| synth sounds: | - piccolo and pizzicato, - very classical feel in a nice combination with video game percussion |
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| feel: | warm electronic | |
| 22 | happy place | (100 bpm) |
| based on: | nice funky bass line, supported by a melody line (not the other way around) | |
| surprise factor: | - beautiful distant church organ sound | |
| synth sounds: | - organ sound | |
| feel: | funk disco | |
| 23 | kan zo niet langer i | (81 bpm) |
| based on: | make a really commercial, boring waltz with a very predictable melody line | |
| surprise factor: | - envelope on the resonance of the bass line - the "irritation bar" |
|
| synth sounds: | - low pass filtered and distorted casio perc. | |
| feel: | waltz music for childrens tv | |
| 24 | space | (60 bpm) |
| based on: | commission: composition based on x-files 3-13 episode 'Syzygy'. theme: "all the energy of the universe converged into one point". i used shepard's tone - dark cold space filled with too much energy. |
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| surprise factor: | - shepard's tone works on phoenixstudio, - loads of reverb on the percussion |
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| synth sounds: | - headcleaners | |
| feel: | harsh, cold, empty and dark soundscape | |
| 25 | kan zo niet langer ii | 1:22 (120 bpm) |
| based on: | latin with tr727 samples, changing into hypnotic trance | |
| surprise factor: | - migration to trance | |
| synth sounds: | - frog lead (a la popcorn), - peanut butter bass |
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| feel: | latin trance | |
| 26 | zitrone schnitzel | 2:08 (120 bpm) |
| based on: | make a song with the tr-707 sound and see where it gets | |
| surprise factor: | - sweep noise + lfo-ish osc in one synth - accidently made some kind of a vowel sound (1:04) - toms |
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| synth sounds: | - hollow sound - pinched splatter |
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| feel: | dizzy disco | |
| 27 | the future music of tomorrow | 1:25 (60 bpm) |
| based on: | make a song that has a very basic 1950's sound (only sine, fast delay and interference sound) |
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| surprise factor: | - sine + noise - shortcircuit sound - yodel synth |
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| synth sounds: | - sine + fast delay - ground loop |
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| feel: | 50's ad music | |
| 28 | 4th tribe down | 2:06 (98 bpm) |
| based on: | two oscillators four halfnotes apart | |
| surprise factor: | - 2 synths for the same bass melody for super bass | |
| synth sounds: | - telephone dial sound | |
| feel: | warm tribal | |
| 29 | too late | 1:49 (74 bpm) |
| based on: | different measures on top of each other | |
| surprise factor: | - nasal hoarse sound | |
| synth sounds: | - whip sound with noise - random nasal hoarse - sweet analog perc |
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| feel: | restless | |
| 30 | boai | (60 bpm) |
| based on: | make consonants by harsh ringmod settings (but failed), nevertheless succeeded in a nice hiphop composition. lots of upbeats |
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| surprise factor: | - long attack & decay on the filter, making a 'wow' sound - changing beats with and without hihats - reverb on everything |
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| synth sounds: | - basic saw - harsh wow sound - sacrificing one synth for cowbell sound |
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| feel: | 808 hip hop |